Installations

Once Was

2012, site maintained from August through October and then left to return to its former state. Abington Art Center Sculpture Park, Jenkintown, PA

Sorting the Residue of Years

2009, outdoor installation for Endurance, Visualizing Time, Abington Art Center, Jenkintown, PA

Drawing Dock Creek

2008, 2-block long installation in the Independence Historic National Park, Philadelphia, PA, last of three projects for the American Philosophical Society Museum in conjunction with its indoor exhibition, Undaunted: Five American Explorers. These projects were commissioned by the American Philosophical Society Museum in partnership with Independence National Historic Park and the Heritage Philadelphia Program of the Philadelphia Cultural Management Initiative funded by The Pew Charitable Trusts and administered by University of the Arts. They were done while I was artist in residence.

Invisible Sky

2007-08, Jefferson Garden of The American Philosophical Society, Philadelphia, PA, second of three projects done for the American Philosophical Society Museum in conjunction with its indoor exhibition, Undaunted: Five American Explorers. These projects were commissioned by the American Philosophical Society Museum in partnership with Independence National Historic Park and the Heritage Philadelphia Program of the Philadelphia Cultural Management Initiative funded by The Pew Charitable Trusts and administered by University of the Arts. They were done while I was artist in residence.

Mason Dixon Lines-Past to Present

2007, entry foyer of the American Philosophical Society Museum, Philadelphia, PA; first of three projects done for the American Philosophical Society Museum in conjunction with its indoor exhibition, Undaunted: Five American Explorers. These projects were commissioned by the American Philosophical Society Museum in partnership with Independence National Historic Park and the Heritage Philadelphia Program of the Philadelphia Cultural Management Initiative funded by The Pew Charitable Trusts and administered by University of the Arts. They were done while I was artist in residence.

Time After Time, a clearing

2006, outside installation for Inside/Out: Sculpture at Evergreen, Biennial, Evergreen House, John Hopkins University, Baltimore, MD

The No Longer View (transposition)

2003, separate room installation for Site and Insight, an, Assemblage of Artists, PS1 Contemporary Art Center, Long Island City, NY

Flux & Interruption: Contingencies in the Field

2001, the outdoor installation Interruption, one of two done during an artist’s residency at Haystack Mt. School of Crafts, Deer Isle, ME

Interval

1999, separate room installation created for the exhibition The Best of the Season, Aldrich Museum of Contemporary Art, Ridgefield, CT

Site Unseen (Fluid Bodies)

1998, Gahlberg Gallery, College of Dupage, Glen Ellyn, Illinois

Threshold/Interface/Transition (when)

1997, installation incorporating the entire second floor of the Institute of Contemporary Art of the University of Pennsylvania, Philadelphia, PA

Ornament

1996, installation for the exhibition, Nature Morte: Contemporary Still Life, The American Museum of the Pennsylvania Academy of Fine Arts, Philadelphia, PA

Congruence/Correspondence (Paradigm)

1995, The Contemporary Arts Center, Cincinnati, Ohio

Serving Time

1995, three cell installation for the national invitational exhibition The Prison As Site/The Prison As Subject, Historic Eastern State Penitentiary, Philadelphia, PA

Floor to Ceiling/Surface to Edge/Vista

1992, three-gallery installation for the Cranbrook Academy of Art Museum, Bloomfield Hills, MI

Mending Room

1991, free-standing room installation for the Inaugural Exhibition for the new building of the Institute of Contemporary Art of the University of Pennsylvania, Philadelphia, PA

Ago/Anon

1990, Grand Lobby installation, The Brooklyn Museum, Brooklyn, NY

Schema: Parity Symmetry

1989, installation for the Distinguished Alumna Exhibition, Reinberger Galleries, Cleveland Institute of Art, Cleveland, OH

Correspondences

1988, installation for Creative Time’s group exhibition at the Brooklyn Bridge Anchorage, Brooklyn, NY

Ecco/Echo

1987, cast paper installation for the International Hand Papermaking Conference, Kunstcentrum "Het Bassin", Maastricht, The Netherlands

Analog

1987, three floor installation for the atrium of the Johnson Art Center, Middlebury College, Middlebury, VT

Salient Points, Salient Lines

1986, outdoor installation for the University of Southern Mississippi, Hattiesburg, MS

A Point of View, A Vista

1986, installation for the Hewlett Gallery, Carnegie-Mellon University, Pittsburgh, PA

Margin Threshold

1984, outdoor installation at the Connemara Nature Conservancy, Plano, TX

Blowout: The Accumulator Barriers and the Locator Cone

1976, dune installation done while artist in residence at the Oxbow School of Painting and Sculpture, Saugatuck, MI